In 1566 The Turks began advancing along the Danube into the Hungarian plains. Their advance was eventually halted at the city of Sziget by a citizens' army
let by Croatian nobleman, Nicholas Zrinsky. With the town under siege, he was obliged to fire the Old Town to deter advances. After a further nineteen days and with Zrinsky dead, the women of the city took refuge a
watchtower; Zrinsky's widow, realising the inevitability of defeat, threw a touch into a gunpowder store, destroying the city but inflicting damage on the Turkish army which halted their progress.
Mucha captures the moment of the explosion in his only portrayal of an ongoing battle. In so doing, he divides the scene between the sharply focused sacrifice of the women on the right and the blurred
images of destruction to the left. The device used to split the picture, a mushroom-shaped prop, is uncannily prophetic of later wars.